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The Muse & The Marketplace 2020

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5A: Different Worlds and Different Bodies: the Disabled Figure in Literature Stuart Room - 4th FloorAmanda Leduc 5B: Perfecting Voice in Historical FictionFILLING Newbury Room - 4th FloorVirginia Pye 5C: #QueryTips: Demystifying the Query ProcessFILLING Statler Room - Mezzanine LevelAmy Elizabeth Bishop 5D: When Revision Becomes Re-EnvisioningFULL White Hill Room - 4th FloorBrendan Mathews 5E: How to Save Your Character From a Drowning Story Charles River Room - 4th FloorNicole Blades 5F: Getting Read, Noticed, and Understood on Sensitive Topics in Impossibly Polarized Times Beacon Hill Room - 4th FloorMary C. Curtis 5G: Dialogue: Crafting Conversation in FictionFILLING Whittier Room - 4th FloorMitali Perkins 5H: How to Think About Comparison & Competing Titles Boylston Room - Mezzanine LevelJessica Papin 5I: Why YA: The Unique Power of Young Adult Literature to Engage Difficult Topics Hancock Room - Mezzanine LevelJoseph Moldover 5J: Balancing Act: The Writing Life, the Day Job, and Everything in Between Cambridge Room - 4th FloorMelissa Rivero 5K: Hybrid Publishing: How It Works and What It's Like Tremont Room - 4th FloorJeanne Blasberg 5L: From Page to Stage: Writing for the Moth, Story Slams, and Live Storytelling Events Cabot Room - 4th FloorAdam Stumacher 5M: Sell Your Story in a Single Sentence: Writing Your Logline Franklin Room - 4th FloorLane Shefter Bishop