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Block 4 [clear filter]
Friday, April 3

3:30pm EDT

4C: Writing Sentences that Sing
Limited Capacity filling up

What are captivating sentences, and how do we write them? How can we borrow from music and poetry to produce vivid, arresting prose that activates the imagination and delights our inner ear? In this session, we’ll explore concrete strategies for crafting musical sentences in fiction and non-fiction. We’ll look closely at how to harness rhythm, meter, assonance, consonance, alliteration, internal rhyme, and other techniques to deepen meaning and create unforgettable prose that readers will love. You'll have a chance to try out these techniques in your own writing, and we'll discuss examples from contemporary authors such as Justin Torres, Sonya Larson, and Jesmyn Ward. Together, we'll work toward a collective understanding of what makes great sentences sing.

avatar for Colwill Brown

Colwill Brown

Fiction Writer
Colwill Brown is an instructor and manuscript consultant at GrubStreet, an associate editor at Bat City Review, and an MFA candidate at the University of Texas at Austin. She is the recipient of the Wellspring House Emerging Writer Fellowship, the Henry Blackwell Essay Prize, and... Read More →
avatar for Jonathan Escoffery

Jonathan Escoffery

Fiction & Nonfiction Writer
Jonathan Escoffery’s writing has appeared in The Paris Review, AGNI, Pleiades, Salt Hill, The Caribbean Writer, Creative Nonfiction, Solstice Literary Magazine, Pangyrus, and elsewhere. His most recent honors include a Distinguished Story citation in The Best American Short Stories... Read More →

Friday April 3, 2020 3:30pm - 4:45pm EDT
White Hill Room - 4th Floor

3:30pm EDT

4H: A Tale of Two Narrative Modes: Linear vs. Atmospheric Storytelling
Limited Capacity full

Are you someone who relies on drama to push your stories or essays forward? Or do you prefer to "feel" your way into a narrative by creating a distinctive atmosphere?

This session will consider two different "modes" of storytelling and explore the strengths and challenges of each. We’ll examine excerpts from two highly accomplished authors: international bestseller Elena Ferrante (translated from the Italian by Ann Goldstein) and Nobel laureate Patrick Modiano (translated from the French by Mark Polizzotti, among others). While Ferrante often uses events and plot points to drive her narratives, Modiano's atmospheric novels lure the reader toward a truth or mystery that is ultimately elusive.

Through discussion, Q&A, and, as time allows, writing prompts, we’ll consider the effects of these different narrative approaches. You’ll leave with tools to discover compelling forms for your own project.

avatar for Shuchi Saraswat

Shuchi Saraswat

Fiction & Nonfiction Writer
Shuchi Saraswat's work has appeared in Ecotone, Tin House online, Literary Hub, Women’s Review of Books, and Quick Fiction. Her essay "The Journey Home" received a special mention in Pushcart XLII 2018 and is anthologized in Trespass: Ecotone Essayists Beyond the Boundaries of Place... Read More →
avatar for Stacy Mattingly

Stacy Mattingly

Stacy Mattingly is coauthor of the New York Times bestseller Unlikely Angel. Her work has appeared in the Oxford American, Atlanta Journal-Constitution, EuropeNow, and elsewhere. In 2012, she launched the Sarajevo Writers' Workshop in Bosnia and Herzegovina and later helped lead the... Read More →

Friday April 3, 2020 3:30pm - 4:45pm EDT
Cabot Room - 4th Floor